INSTRUMENTAL TRADITIONS OF THE BAROQUE ERA IN THE CHAMBER AND INSTRUMENTAL MUSIC OF THE ARTIST OF THE COMPOSING SCHOOL OF THE CHERNIGIV REGION OF UKRAINE AT THE END OF THE 20’TH – THE FIRST QUARTER OF THE 21’ST CENTURY, OLEKSANDR IVANKO

Abstract

The purpose of the work is to consider the influence of the instrumental traditions of the Baroque era on the chamber-instrumental music of the artist of the composer school of the Chernihiv region of Ukraine at the end of the 20’th – the first quarter of the 21’st century Oleksandr Ivanko in the dimension of musical art. The research methodology is based on system-analytical and theoretical methods. The scientific novelty lies in the fact that chamber-instrumental music, which is usually considered in terms of the regional culture of Ukraine, is an inexhaustible source for scientific research in the field of musical art. Among the regional variety of composers’ creativity, the creativity of the composer of the Chernihiv School Oleksandr Ivanko stands out in bright colors, in particular, his significant work on chamber-instrumental music, which actualized the choice of the topic of the proposed article. Conclusions. Based on the results of the research, the chamber-instrumental works of Oleksandr Ivanko, an artist of the composer school of the Chernihiv region of Ukraine at the end of the 20’th – the first quarter of the 21’st century, were analyzed: concertino in the old style of e-moll and concertino in the old style of d-moll for violin and piano. The innovative aspects of the reconstruction of the image of baroque music through the prism of the found equivalents of the semantics of the intonation regularities of the stylistic language of the ancient style of music of the 18’th century have been updated. It was established that the researched works of Oleksandr Ivanko indicate the legitimacy of existence, since the principle of instrumental versioning of the contemporary composer opens new angles of understanding baroque reminiscence.