MUSICAL REPRESENTATION OF NATIONAL IDENTITY IN CREATIVE PROJECTS OF MOORE: PERSPECTIVES OF ACCOMPANIED ANALYSIS

Abstract

The article is devoted to the analysis of the musical and theatrical projects of the Unification of Moore ("Rebelia [1991]", "You [romance]") as the sign phenomena of the modern Ukrainian artistic space, which represent historical memory and form the image of national identity. It is emphasized that after 2014, music in Ukraine has acquired socially significant functions, turning into a kind of "art of testimony", which conveys collective experience through intonation codes, timbre palette and dramatic symbolism.Particular attention is paid to the performing aspect, in particular the role of accompaniment, which in the projects of the MUR goes beyond the traditional function of "escort" and becomes a key interpretation factor. In the production of Rebelia [1991], an instrumental texture, built on dotive rhythms, harmonious landslides and dynamic contrasts, forms an epic level of dramaturgy and embodies the collective experience of the nation. In "You [romance]" accompaniment acquires a chamber-psychological nature: the alternation of lyrical intonations and dissonance clusters reproduces the internal conflict of the hero, and the instrumental party functions as a "mirror of the soul", entering into a dialogue with a vocalist.The methodology of research is based on musicological, performing-interpretative, cultural, comparative-analytical and hermeneutic approaches. This made it possible to find that the instrumental space in the works of the wall acts as a carrier of cultural memory, provides a deep semantic dimension of productions and becomes a means of representation of both collective and individual experience.It is concluded that the concertmaster component is decisive for the creation of a holistic musical and dramatic text and opens new perspectives for the study of the performing role in the formation of modern models of national identity in Ukrainian musical and theatrical art.