A STYLISTIC PARADIGM IN THE MUSICAL CULTURE OF THE EAST AND THE WEST BY MEANS OF INTONATION

Abstract

The article analyzes the stylistic paradigm of Immediately and Entering in different ways. It is noted that throughout the evolution of human thought there is a philosophical, religious-mystical and cosmological understanding of music behind the scenes and other sides. Intonation is the most important subject for the philosophical penetration of the essence of music, which is to understand the meaning-forming, communicative, emotional-viral function. Penetrating practically into all aspects of material and spiritual culture, it is the sound form of reflection and reflection on the excess light. It is clear that the essence of intonation as a semantic manifestation of culture lies in the accumulation and translucent of cultural meanings. Intonation absorbs the transmission and adoption of any sound information, enhancing the sense of expression and expression (movement, dance, music, etc.). It has been proven that the main mission of intonation is the creation of sacred texts. It is noted that among the lower signal forms of intonation characteristic of archaic cultures (signals of alarm, insecurity, calmness) there are typical rices associated with the syncretism of the primary light-gazer. The ritual intonation of Buddhists is of a synthetic nature, revealing the idea of the richness of rebirth, changes in stages of life and death, etc. In monotheistic religions, intonation becomes an important conveyor of meaning behind the additional vision of the key words of sacred texts, as well as the sound mechanism of the structural organization of promotion. Research in the application of sound signals has shown that intonation effectively reflects the intuitive light perception and light gaze of people. The development of intonation in folk, religious and magical rituals made it possible to actualize the problem of infusing the sound component of the ritual into the emotional state of people. The results of the work may be of interest to the scholars of cultural studies, philosophy, religion, theory and history of myths, as well as psychology; can be used by musicologists, ethnographers, as well as teachers.