VISUALIZATION OF IMAGES OF IMPRESSIONIST COMPOSERS AS A MAIN FACTOR IN THE STABILITY OF THE INTERPRETATIVE VERSION OF THE BUTTON ACCORDIONIST-PERFORMER

Abstract

The article is devoted to substantiating the significance of the meaning of understanding impressionism as a musical style in the performing musical and instrumental art of button accordionists. The principle of artistic and figurative visualization of the music of impressionist composers is applied, the method of realizing the stylistic significance of impressionism in music and determining the artistic and figurative content of the impressionist style of various composers is applied; reflective visualization is chosen according to the principle of personified interpretative uniqueness of the performer to reveal the main figurative and characteristic features of musical works when performing them on the button accordion. The significance of the visualization of images as an artistic and performing category is emphasized, which is a special phenomenon for a musician-performer in the context of his perception and reproduction of music by composers of any style. The artistic and aesthetic understanding of the figurative reflection of reality in works of art that have a kinship of their programmatic essence or creative-imaginative meaning (artists, composers, performers) is presented. A bright figurative-stylistic palette is revealed on the basis of the impressionist composers C. Debussy and the eccentric composer-reformer E. Satie, who chose figurative content to reveal their own feelings and performed their own works on their ‘classical’ musical instruments. The presented possibility of visualizing the musical images of impressionist composers creates their own figurative-stylistic imagination in the awareness of the button accordionist-performer and his interpretative version of the musical characteristics of specific works of the impressionist style. ‘ Jardins sous la pluie ‘ by C. Debussy and ‘Gnossiennes’ by E. Sati, are reflected in the technological techniques of reproduction by button accordionists, sound-like and timbre-dynamic complexes and intonation features.The results of the figurative-stylistic characteristics of selected works by impressionist composers performed on the bayan are summarized.