THE SPECIFICS OF PROCESSING VOCAL WORKS OF THE RENAISSANCE ERA BY MODERN PERFORMERS

Abstract

In the article the specific of the practical working of part-songs of epoch of Renaissance is examined modern performers, as a question is meaningful first of all for professional development of singers that devoted the work to the study of ancient music. A theoretical ground was purchased by some carrying out styles of music of the marked epoch. Description of approaches of practical expression of the historical carrying out of part-songs of epoch of Renaissance became the aim of the article by modern singers as to the phenomenon of musical art of last one third of ХХ – beginning of ХХІ of centuries. In research, co-operating of principles of the historical carrying out is exposed with the complex of base professional abilities of modern vocalists, as for today the revival of interest in the culture of Renaissance and his influence on contemporaneity become important aspects in execution the pieces of music; the stylish features of music of epoch of Renaissance are described and it is found out, that musical art of the indicated epoch small the next setting is music for divine service, for entertainments and studies, and also court life. It is set that in modern researches of world musical culture there are quite a bit examples of incorrect interpretation of voice character of works of epoch of Renaissance that generates the numerous errors of implementation. It is found out, that for today it is needed to take into account vocal data separate vocalists, that all musical fabric sounded most close to implementation of original. Attention concentrated on understanding the performers of those tensions, that adopted musical reality of the indicated epoch. Underline, that such realization is incredibly productive for modern singers – the historically oriented carrying out, that recreates the sounds of music of previous times maximally exactly, is created. Technical moments are offered, in particular, application of reception “vibrato”, that singers learned to be very attentive and flexible in relation to interpretation of works of epoch of Renaissance.