DRAMATIC FUNCTION OF THE CLARINET IN THE OPERATIC WORKS OF A. SALIERI

Abstract

This article explores the dramaturgical functions of the clarinet in the operatic works of the outstanding Austrian composer A. Salieri. Namely, its role as an important instrument in the context of reproducing the characteristic mood of the orchestra. The main aspect of this work is to define the role of timbre, instrument construction, functionality and description of its integration into the composer’s operas and orchestra. He conducted a detailed analysis of the operas by A. Salieri, identifying specific episodes and moments where the clarinet is used by the composer. This approach allows us to systematically consider musical features and their impact on the drama of the works. The article examines in detail various aspects of the use of the clarinet in opera ensembles, revealing its contribution to creating an emotional background, enhancing stage dynamics and maintaining plot tension. In particular, the study examines how the composer uses the clarinet in different operas, giving the instrument specific musical images and defining its role in expressing deep feelings and conflicts of the characters. The first appearance of the instrument in the operas “Il ricco d’un giorno” and “Les Danaides” was described in as chronological a sequence as possible, where its role was not large and mostly duplicated. Gradually, the instrument began to receive octet parts, small solos, and accompaniments in the arias. The author also describes one of the largest solos, which was written for the aria “Or gli affannosi palpiti” from the opera “Falstaff”. The article is a valuable contribution to the understanding of Salieri’s work, revealing new aspects of his operatic music through the prism of clarinet expressiveness and drama. The context of the historical period in which Salieri was active, as well as the peculiarities of the opera genre and traditions of that time, are taken into account. This helps to understand how the use of the clarinet can be related to the specifics of the era. By analyzing the composer’s work with this instrument, the article offers a deeper understanding of his contribution to the development of the opera genre and a deeper musical understanding of Antonio Salieri’s work.