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No. 2 (2026): Sloboda Art Studies
No. 2 (2026): Sloboda Art Studies
DOI:
https://doi.org/10.32782/art/2026.2
Published:
2026-05-15
Full Issue
Завантажити номер одним файлом (Українська)
Статті
THE ROLE OF THE SOUND ENGINEER IN SHAPING THE STUDIO SOUND OF JAZZ PERFORMERS
Yevhen Andrieiev
7-12
PDF (Українська)
TEMPO IS NOT A NUMBER: THE CONDUCTOR'S INTERPRETATION THROUGH THE CENTURIES
Oleksandra Berestovska
13-18
PDF (Українська)
THE IMPACT OF WHITNEY HOUSTON’S ARTISTIC LEGACY ON THE DEVELOPMENT OF CONTEMPORARY MUSICAL CULTURE
Tetyana Bobyr
19-23
PDF (Українська)
COMPOSITIONAL PRACTICE IN THE POLISH-LITHUANIAN COMMONWEALTH DURING XVI TH AND XVII TH CENTURIES: INSTITUTIONAL FRAMEWORKS, STYLISTICS, AND CULTURAL INTERACTION
Nataliia Bovsunivska
24-31
PDF (Українська)
THE SPECIFICS OF TRAINING CLASSES FOR STUDENTS OF NON-MUSICAL SPECIALTIES
Nataliia Borysenko
32-36
PDF (Українська)
REPERTOIRE POLICY AS A PROJECTION OF THE CONDUCTOR-CHOIRMASTER'S CREATIVE WORLDVIEW: METHODOLOGY FOR ANALYSING INDIVIDUAL PRIORITIES
Oleksandr Vila-Botsman
37-42
PDF (Українська)
THE GUITARIST'S TIMBRE IMAGINATION: ORCHESTRAL THINKING AS THE BASIS OF ARTISTIC INTERPRETATION
Mikhaylo Honcharov
43-47
PDF (Українська)
UKRAINIAN CHORAL MUSIC AS A FACTOR OF NATIONAL CULTURAL IDENTITY
Tetiana Hordieieva
48-52
PDF (Українська)
DIGITALIZATION OF CHORAL ACTIVITY
Igor Hryshchenko
53-58
PDF (Українська)
SPECIFICS OF THE INTERACTION BETWEEN THE ACCOMPANIST AND THE CONDUCTOR DURING THE PROCESS OF WORKING ON A CHORAL SCORE
Iryna Hrushak
59-63
PDF (Українська)
COMPARATIVE ANALYSIS OF THE DEVELOPMENT OF VIOLIN SCHOOLS IN KYIV, ODESSA AND LVIV AT THE END OF THE 19TH CENTURY AND THE FIRST THIRD OF THE 20TH CENTURY IN THE CONTEXT OF POLYETHNICITY
Taras Hunder
64-70
PDF (Українська)
ORIENTAL PICTURES IN THE PIANO PIECES OF FELICIEN DAVID
Olena Enska, Iryna Kodenko
71-76
PDF (Українська)
AVANT-GARDE, INSTRUMENTAL THEATRE AND CELLO IN VALENTINE SILVESTROV “DRAMA”
Olha Zavіalova, Oleksandr Stakhevich
77-82
PDF (Українська)
SOUND PRODUCTION AS A FACTOR IN FORMING THE CREATIVE IMAGE OF A MODERN POP VOCALIST
Svitlana Zaria
83-86
PDF (Українська)
PEDAGOGICAL SYSTEM OF SYLVA MAKSYMENKO IN THE CONTEXT OF THE FORMATION OF THE MODERN ODESA VOCAL SCHOOL
Ruslan Zinevych
87-92
PDF (Українська)
THE PHENOMENON OF SCREAM AS AN AFFECTIVE MARKER IN THE SOUND SPACE OF CONTEMPORARY UKRAINIAN BALLET
Veronika Zinchenko-Hotsuliak
93-96
PDF (Українська)
PHENOMENOLOGY AND METHODOLOGY OF COLLABORATIVE PIANO PERFORMANCE: FROM ACCOMPANIMENT TO ARTISTIC PARTNERSHIP
Oksana Ignatovskaya, Tetyana Ignatovskaya, Olena Hlamazdina
97-102
PDF (Українська)
PERFORMATIVE DIMENSION OF VOCAL ART: HISTORICAL AND CULTURAL EVOLUTION OF PERFORMING PRACTICES
Liliia Kachurynets
103-108
PDF (Українська)
CREATIVE FIGURE OF PAVLO YAKUBCHYK IN THE HISTORY OF BRASS PERFORMANCE OF VINNYTSIA REGION
Dmytro Kravchuk
109-113
PDF (Українська)
FORMATION OF THE CULTURAL AND ARTISTIC ENVIRONMENT AT THE KREMENETS LYCEUM (1920–1939)
Oksana Lehkun
114-117
PDF (Українська)
SYMBOLISM OF INITIATION IN THE DIPTYCH “PRELUDE AND FUGUE NO. 18 IN F MINOR” BY VSEVOLOD ZADERATSKY
Natalia Makarova
118-129
PDF (Українська)
CYCLE «10 UKRAINIAN CHURCH SONGS FOR THREE-VOICE GIRLS’ CHOIR WITH PIANO» ARRANGED BY MARTA KRAVTSIV-BARBASH IN THE PERFORMING PRACTICE OF A PIANIST-CONCERTMASTER
Uliana Molchko
130-135
PDF (Українська)
TRANSFORMATION OF ACADEMIC MUSICAL ART IN THE CONTEXT OF VIRTUALIZATION OF THE SOCIO-CULTURAL ENVIRONMEN
Iaroslava Oliinyk
136-139
PDF (Українська)
PEDAGOGICAL CONDITIONS FOR FORMING THE INDIVIDUAL PERFORMING STYLE OF A FUTURE CHOIRMASTER
Vladyslav Polischuk, Ivanna Pidhaietska, Liudmyla Matsiievska
140-145
PDF (Українська)
PERFORMANCE AND THEORETICAL CONCEPT BY VALERIY POSVALYUK: A HISTORICAL AND ART HISTORY ANALYSIS
Kostiantyn Posvalyuk
146-150
PDF (Українська)
PEDAGOGICAL ASPECTS OF JAZZ ART IN THE MODERN UKRAINIAN MUSICAL AND EDUCATIONAL SPACE
Larysa Pushkar
151-156
PDF (Українська)
VERISM IN THE MIRROR OF THE ORIENT: NATIONAL RECEPTION OF ITALIAN OPERA IN CHINA DURING THE 20TH–21ST CENTURIES
Oleksandr Rudenko
157-161
PDF (Українська)
CONCERT PERFORMANCE OF H. F. HANDEL`S OPERA “JULIUS CAESAR IN EGYPT”: THE EXPERIENCE OF CONDUCRTING INTERPRETATION
Vladyslav Saverskyi
162-165
PDF (Українська)
THE TRUMPET IN THE UKRAINIAN CULTURAL AND EDUCATIONAL SPACE OF THE 21ST CENTURY
Petro Sorokin
166-171
PDF (Українська)
MYKHAYL VERIKIVSKY’S ROMANCE WORK IN THE SOCIO-CULTURAL DISCUSSION OF THE ERA
Oleksandr Stakhevich
172-178
PDF (Українська)
SPECIFICITY OF THINKING OF THE CONTEMPORARY JAZZ SAXOPHONIST: A CASE STUDY OF CHAD LEFKOWITZ-BROWN
Ivan Stepanenko
179-185
PDF (Українська)
СHORAL CULTURE OF UKRAINE OF THE 20TH CENTURY IN THE FIGURES OF EMINENT ARTISTS. CONDUCTOR YURIY TARANCHENKO
Olena Taranchenko
186-190
PDF (Українська)
UKRAINIAN TRUMPET SCHOOL: THE PERSONAL DIMENSION OF THE PERFORMING TRADITION
Yuriy Tararak, Volodymyr Podolchuk
191-194
PDF (Українська)
METHODOLOGY FOR PREPARING РIANO STUDENTS FOR PUBLIC PERFORMANCE: CORRECTION OF EMOTIONAL STATE AND PERFORMANCE RELIABILITY
Nataliia Travkina
195-199
PDF (Українська)
THE CREATIVE WORK OF HANNA HAVRYLETS AS A NEW STAGE IN THE DEVELOPMENT OF UKRAINIAN CHORAL PERFORMANCE
Valentyn Fedorchenko
200-204
PDF (Українська)
"STYLE GAME" AS A CTOR OF DRAMATURGICAL AND MEANINGFUL ORGANIZATION OF PIANO WORKS BY MYROSLAV SKORYK (ON THE EXAMPLE OF THE CYCLE "SIX PRELUDES AND FUGS")
Qingyu Zeng
205-213
PDF (Українська)
THE ROLE OF TRADITIONAL PERCUSSION INSTRUMENTS IN SONG AND DANCE GENRES OF CHINESE FOLK MUSIC
Qihan Cheng
214-218
PDF (Українська)
THE POETICS OF SOUND IN THE ARTISTIC SPACE OF THE VALENTYN BIBIK`S CHAMBER SONATA OP. 24/71 FOR VIOLIN AND PIANO
Shi Qianya
219-223
PDF (Українська)
SYNTHESIS OF EUROPEAN AND AFRICAN TRADITIONS AS A FACTOR IN THE FORMATION OF US MUSICAL IDENTITY
Yelizaveta Shumakova
224-227
PDF (Українська)
SAXOPHONE IN JAZZ ENSEMBLE PERFORMANCE IN THE USA IN THE 20TH CENTURY
Kyryl Yazykov
228-234
PDF (Українська)
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