Sloboda Art Studies

Статті

• THE ROLE OF THE SOUND ENGINEER IN SHAPING THE STUDIO SOUND OF JAZZ PERFORMERS

  Yevhen Andrieiev

  7-12

  • PDF (Українська)

• TEMPO IS NOT A NUMBER: THE CONDUCTOR'S INTERPRETATION THROUGH THE CENTURIES

  Oleksandra Berestovska

  13-18

  • PDF (Українська)

• THE IMPACT OF WHITNEY HOUSTON’S ARTISTIC LEGACY ON THE DEVELOPMENT OF CONTEMPORARY MUSICAL CULTURE

  Tetyana Bobyr

  19-23

  • PDF (Українська)

• COMPOSITIONAL PRACTICE IN THE POLISH-LITHUANIAN COMMONWEALTH DURING XVI TH AND XVII TH CENTURIES: INSTITUTIONAL FRAMEWORKS, STYLISTICS, AND CULTURAL INTERACTION

  Nataliia Bovsunivska

  24-31

  • PDF (Українська)

• THE SPECIFICS OF TRAINING CLASSES FOR STUDENTS OF NON-MUSICAL SPECIALTIES

  Nataliia Borysenko

  32-36

  • PDF (Українська)

• REPERTOIRE POLICY AS A PROJECTION OF THE CONDUCTOR-CHOIRMASTER'S CREATIVE WORLDVIEW: METHODOLOGY FOR ANALYSING INDIVIDUAL PRIORITIES

  Oleksandr Vila-Botsman

  37-42

  • PDF (Українська)

• THE GUITARIST'S TIMBRE IMAGINATION: ORCHESTRAL THINKING AS THE BASIS OF ARTISTIC INTERPRETATION

  Mikhaylo Honcharov

  43-47

  • PDF (Українська)

• UKRAINIAN CHORAL MUSIC AS A FACTOR OF NATIONAL CULTURAL IDENTITY

  Tetiana Hordieieva

  48-52

  • PDF (Українська)

• DIGITALIZATION OF CHORAL ACTIVITY

  Igor Hryshchenko

  53-58

  • PDF (Українська)

• SPECIFICS OF THE INTERACTION BETWEEN THE ACCOMPANIST AND THE CONDUCTOR DURING THE PROCESS OF WORKING ON A CHORAL SCORE

  Iryna Hrushak

  59-63

  • PDF (Українська)

• COMPARATIVE ANALYSIS OF THE DEVELOPMENT OF VIOLIN SCHOOLS IN KYIV, ODESSA AND LVIV AT THE END OF THE 19TH CENTURY AND THE FIRST THIRD OF THE 20TH CENTURY IN THE CONTEXT OF POLYETHNICITY

  Taras Hunder

  64-70

  • PDF (Українська)

• ORIENTAL PICTURES IN THE PIANO PIECES OF FELICIEN DAVID

  Olena Enska, Iryna Kodenko

  71-76

  • PDF (Українська)

• AVANT-GARDE, INSTRUMENTAL THEATRE AND CELLO IN VALENTINE SILVESTROV “DRAMA”

  Olha Zavіalova, Oleksandr Stakhevich

  77-82

  • PDF (Українська)

• SOUND PRODUCTION AS A FACTOR IN FORMING THE CREATIVE IMAGE OF A MODERN POP VOCALIST

  Svitlana Zaria

  83-86

  • PDF (Українська)

• PEDAGOGICAL SYSTEM OF SYLVA MAKSYMENKO IN THE CONTEXT OF THE FORMATION OF THE MODERN ODESA VOCAL SCHOOL

  Ruslan Zinevych

  87-92

  • PDF (Українська)

• THE PHENOMENON OF SCREAM AS AN AFFECTIVE MARKER IN THE SOUND SPACE OF CONTEMPORARY UKRAINIAN BALLET

  Veronika Zinchenko-Hotsuliak

  93-96

  • PDF (Українська)

• PHENOMENOLOGY AND METHODOLOGY OF COLLABORATIVE PIANO PERFORMANCE: FROM ACCOMPANIMENT TO ARTISTIC PARTNERSHIP

  Oksana Ignatovskaya, Tetyana Ignatovskaya, Olena Hlamazdina

  97-102

  • PDF (Українська)

• PERFORMATIVE DIMENSION OF VOCAL ART: HISTORICAL AND CULTURAL EVOLUTION OF PERFORMING PRACTICES

  Liliia Kachurynets

  103-108

  • PDF (Українська)

• CREATIVE FIGURE OF PAVLO YAKUBCHYK IN THE HISTORY OF BRASS PERFORMANCE OF VINNYTSIA REGION

  Dmytro Kravchuk

  109-113

  • PDF (Українська)

• FORMATION OF THE CULTURAL AND ARTISTIC ENVIRONMENT AT THE KREMENETS LYCEUM (1920–1939)

  Oksana Lehkun

  114-117

  • PDF (Українська)

• SYMBOLISM OF INITIATION IN THE DIPTYCH “PRELUDE AND FUGUE NO. 18 IN F MINOR” BY VSEVOLOD ZADERATSKY

  Natalia Makarova

  118-129

  • PDF (Українська)

• CYCLE «10 UKRAINIAN CHURCH SONGS FOR THREE-VOICE GIRLS’ CHOIR WITH PIANO» ARRANGED BY MARTA KRAVTSIV-BARBASH IN THE PERFORMING PRACTICE OF A PIANIST-CONCERTMASTER

  Uliana Molchko

  130-135

  • PDF (Українська)

• TRANSFORMATION OF ACADEMIC MUSICAL ART IN THE CONTEXT OF VIRTUALIZATION OF THE SOCIO-CULTURAL ENVIRONMEN

  Iaroslava Oliinyk

  136-139

  • PDF (Українська)

• PEDAGOGICAL CONDITIONS FOR FORMING THE INDIVIDUAL PERFORMING STYLE OF A FUTURE CHOIRMASTER

  Vladyslav Polischuk, Ivanna Pidhaietska, Liudmyla Matsiievska

  140-145

  • PDF (Українська)

• PERFORMANCE AND THEORETICAL CONCEPT BY VALERIY POSVALYUK: A HISTORICAL AND ART HISTORY ANALYSIS

  Kostiantyn Posvalyuk

  146-150

  • PDF (Українська)

• PEDAGOGICAL ASPECTS OF JAZZ ART IN THE MODERN UKRAINIAN MUSICAL AND EDUCATIONAL SPACE

  Larysa Pushkar

  151-156

  • PDF (Українська)

• VERISM IN THE MIRROR OF THE ORIENT: NATIONAL RECEPTION OF ITALIAN OPERA IN CHINA DURING THE 20TH–21ST CENTURIES

  Oleksandr Rudenko

  157-161

  • PDF (Українська)

• CONCERT PERFORMANCE OF H. F. HANDEL`S OPERA “JULIUS CAESAR IN EGYPT”: THE EXPERIENCE OF CONDUCRTING INTERPRETATION

  Vladyslav Saverskyi

  162-165

  • PDF (Українська)

• THE TRUMPET IN THE UKRAINIAN CULTURAL AND EDUCATIONAL SPACE OF THE 21ST CENTURY

  Petro Sorokin

  166-171

  • PDF (Українська)

• MYKHAYL VERIKIVSKY’S ROMANCE WORK IN THE SOCIO-CULTURAL DISCUSSION OF THE ERA

  Oleksandr Stakhevich

  172-178

  • PDF (Українська)

• SPECIFICITY OF THINKING OF THE CONTEMPORARY JAZZ SAXOPHONIST: A CASE STUDY OF CHAD LEFKOWITZ-BROWN

  Ivan Stepanenko

  179-185

  • PDF (Українська)

• СHORAL CULTURE OF UKRAINE OF THE 20TH CENTURY IN THE FIGURES OF EMINENT ARTISTS. CONDUCTOR YURIY TARANCHENKO

  Olena Taranchenko

  186-190

  • PDF (Українська)

• UKRAINIAN TRUMPET SCHOOL: THE PERSONAL DIMENSION OF THE PERFORMING TRADITION

  Yuriy Tararak, Volodymyr Podolchuk

  191-194

  • PDF (Українська)

• METHODOLOGY FOR PREPARING РIANO STUDENTS FOR PUBLIC PERFORMANCE: CORRECTION OF EMOTIONAL STATE AND PERFORMANCE RELIABILITY

  Nataliia Travkina

  195-199

  • PDF (Українська)

• THE CREATIVE WORK OF HANNA HAVRYLETS AS A NEW STAGE IN THE DEVELOPMENT OF UKRAINIAN CHORAL PERFORMANCE

  Valentyn Fedorchenko

  200-204

  • PDF (Українська)

• "STYLE GAME" AS A CTOR OF DRAMATURGICAL AND MEANINGFUL ORGANIZATION OF PIANO WORKS BY MYROSLAV SKORYK (ON THE EXAMPLE OF THE CYCLE "SIX PRELUDES AND FUGS")

  Qingyu Zeng

  205-213

  • PDF (Українська)

• THE ROLE OF TRADITIONAL PERCUSSION INSTRUMENTS IN SONG AND DANCE GENRES OF CHINESE FOLK MUSIC

  Qihan Cheng

  214-218

  • PDF (Українська)

• THE POETICS OF SOUND IN THE ARTISTIC SPACE OF THE VALENTYN BIBIK`S CHAMBER SONATA OP. 24/71 FOR VIOLIN AND PIANO

  Shi Qianya

  219-223

  • PDF (Українська)

• SYNTHESIS OF EUROPEAN AND AFRICAN TRADITIONS AS A FACTOR IN THE FORMATION OF US MUSICAL IDENTITY

  Yelizaveta Shumakova

  224-227

  • PDF (Українська)

• SAXOPHONE IN JAZZ ENSEMBLE PERFORMANCE IN THE USA IN THE 20TH CENTURY

  Kyryl Yazykov

  228-234

  • PDF (Українська)