No. 3 (2023): Sloboda Art Studies

Статті

• ASPECTS OF ETHNOCULTURAL DIALOGUE OF VOCALISTS

  Valentina Antonyuk

  5-9

  • PDF (Українська)

• MUSICAL REFLECTIONS IN THE LOGO OF THE HISTORY OF MUSIC

  Olena Afonina

  10-14

  • PDF (Українська)

• THE IMAGE OF PRINCESS EUPRAXIA IN THE SYMPHONIC SUITE FROM THE BALLET “EUPRAXIA” BY OLEKSANDR KANERSHTEIN

  Anna Bondarenko

  15-19

  • PDF (Українська)

• NATIVE POLISSIA: ART AND CHOREOGRAPHY

  Volodymyr Hordieiev

  20-25

  • PDF (Українська)

• JUBILEE TRIPTYCH: COMPOSER, OPERA, PERFORMER

  Anton Karmazin

  26-30

  • PDF (Українська)

• CHOIR GROUPS OF THE EDUCATIONAL AND SCIENTIFIC INSTITUTE OF CULTURE AND ARTS OF SUMY STATE PEDAGOGICAL UNIVERSITY NAMED AFTER A.S. MAKARENKO: AN ATTEMPT TO ANALYZE THE ACTIVITY IN A HISTORICAL ASPECT

  Yevhen Karpenko

  31-35

  • PDF (Українська)

• MUSIC FOR THE PLAY OF MYKOLA KULISH “MYNA MAZAILO” BY IHOR HAIDENKO

  Oksana Kravchenko

  36-38

  • PDF (Українська)

• PERFORMANCE AND TEACHING OF MYKHAILO KANERSHTEIN IN THE HISTORY OF THE UKRAINIAN CONDUCTING SCHOOL DEVELOPMENT

  Valentyn Lihus

  39-42

  • PDF (Українська)

• MUSIC AND DANCE SYNTHESIS: ADVANTAGES AND CHALLENGES OF THE TWO ARTS

  Zakhar Omelianenko

  43-46

  • PDF (Українська)

• CHOREOGRAPHY AS A DRAMATIC AND EXPRESSIVE RESOURCE IN DANIEL AUBERT’S OPERA “THE DUMB GIRL OF PORTICI”

  Kateryna Omelianenko, Anatolii Maksymenko

  47-52

  • PDF (Українська)

• PERFORMANCE ANALYSIS OF VSEVOLOD RYBALCHENKO’S SOLO SINGINGS ON POEMS BY TARAS SHEVCHENKO

  Tetiana Pavliuk

  53-57

  • PDF (Українська)

• MODIFICATION OF CELLO PERFORMANCE IN THE MODERN VECTOR OF DEVELOPMENT

  Yurii Pohoretskyi

  58-61

  • PDF (Українська)

• FORMATION OF PROFESSIONAL COMPETENCES IN THE INDEPENDENT ACTIVITY OF THE FUTURE CHOIR DIRECTOR

  Larysa Pushkar, Inna Kohan, Olena Hlamazdina

  62-67

  • PDF (Українська)

• “MUSIC” AS A SOURCE OF UKRAINIAN IDENTITY (ON THE EXAMPLE OF THE VIOLIN MINIATURE BY I.F. KARABITS “MUSIC”)

  Oleksii Riabinin, Oleksandra Rukomoinikova

  68-74

  • PDF (Українська)

• THE CREATIVITY OF OLEKSANDR PYLYPOVYCH MYSHUGA (1853–1922) IN THE CONTEXT OF THE TRADITIONS OF THE UKRAINIAN VOCAL SCHOOL

  Viktor Sachok

  75-79

  • PDF (Українська)

• A STYLISTIC PARADIGM IN THE MUSICAL CULTURE OF THE EAST AND THE WEST BY MEANS OF INTONATION

  Olena Ustymenko-Kosorich

  80-83

  • PDF (Українська)

• JOSEPH HAYDN’S TRUMPET CONCERTO IN MUSICOLOGICAL DIMENSIONS OF THE PRESENT

  Jinqiu Zhang

  84-88

  • PDF (Українська)

• FOLK TRADITIONS IN THE CONTEXT OF THE HISTORY OF THE DEVELOPMENT OF CHINESE INSTRUMENTAL MUSIC

  Sisi Zhu

  89-92

  • PDF (Українська)

• THE GENRE DIFFUSION OF CHAMBER-VOCAL AND OPERA GENRE (ON THE EXAMPLE OF C. GOUNOD’S OPERA “FAUST”)

  Wanqing Yang

  93-97

  • PDF (Українська)

• THE CONCEPT OF “MANAGEMENT OF A CHOIR” IN THE CONTEXT OF MODERN CONDUCTOR AND CHORAL EDUCATION

  Olena Yarmoliuk

  98-101

  • PDF (Українська)