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No. 3 (2025): Sloboda Art Studies
No. 3 (2025): Sloboda Art Studies
DOI:
https://doi.org/10.32782/art/2025.3
Published:
2025-11-28
Full Issue
Завантажити номер одним файлом (Українська)
Статті
FEATURES OF MODERN THEATRE MUSIC: COMPONENTS, FUNCTIONS AND DRAMATURGY
Usein Bekirov
7-11
PDF (Українська)
UKRAINIAN MUSIC AND DRAMA THEATRE AFTER 2014: TRANSFORMATIONS, CHALLENGES, AND MODELS OF NATIONAL CULTURAL REPRESENTATION
Maksym Bulgakov
12-16
PDF (Українська)
CONTEMPORARY INTERPRETATIONS OF UKRAINIAN CLASSICAL SOLO SONG IN VOCAL PERFORMANCE ART
Svitlana Vyshnevska, Nataliia Shevchenko, Nataliia Fedorniak
17-21
PDF (Українська)
THE AESTHETICS OF SILENCE AND PAUSE IN MODERN GUITAR MUSIC
Mikhaylo Honcharov
22-26
PDF (Українська)
HISTORICAL VOCAL REPERTOIRES IN UKRAINIAN ENSEMBLES OF THE LATE 20TH – EARLY 21ST CENTURY: A DISCOURSE OF HISTORICALLY INFORMED PERFORMANCE
Mariia Hryhorieva, Olha Lihus
27-32
PDF (Українська)
READING MUSICAL NOTES FROM A SHEET OF PAPER AS AN IMPORTANT COMPONENT OF THE PROFESSIONAL DEVELOPMENT OF A FUTURE MUSIC TEACHER
Tetiana Dorosh, Olena Turukina, Liudmila Dite
33-37
PDF (Українська)
THE ROLE OF THE TRUMPET IN THE INSTRUMENTAL GENRES OF THE BAROQUE ERA: HISTORY AND PERFORMANCE TRADITIONS
Olha Yeremenko, Valentyn Lihus
38-43
PDF (Українська)
GENRE AND STYLISTIC SPECIFICITY OF CHAMBER-ENSEMBLE BANDURA PERFORMANCE
Andrii Yeromenko, Nataliya Yeromenko, Marharyta Prymak
44-48
PDF (Українська)
ЕVOLUTION OF PERCUSSION INSTRUMENTS IN WORLD MUSICAL ART: FROM ARCHAIC FORMS TO MODERNITY
Andrii Yeromenko, Nataliya Yeromenko
49-52
PDF (Українська)
THE INFLUENCE OF EUROPEAN VOCAL METHODS ON THE FORMATION OF CONTEMPORARY UKRAINIAN POP VOCAL
Svitlana Zaria
53-56
PDF (Українська)
MUSICAL REPRESENTATION OF NATIONAL IDENTITY IN CREATIVE PROJECTS OF MOORE: PERSPECTIVES OF ACCOMPANIED ANALYSIS
Halina Zub
57-60
PDF (Українська)
THE PIANIST’S THESAURUS: TRANSFORMATIONAL TRENDS IN THE CONTEXT OF THE POST-MODERN ERA
Mariya Kalashnyk
61-65
PDF (Українська)
WORKING ON A VOICE IN THE BANDURA CLASS: METHODICAL GUIDELINES FOR THE TEACHER
Natalia Koval
66-69
PDF (Українська)
VOCAL ART IN THE MODERN UKRAINIAN SPACE: ISSUES OF THE TEXT AND ITS DELIVERY TO THE LISTENER
Viktoriia Komisar, Serhiі Yurchenko
70-73
PDF (Українська)
«LIAN SHANBO AND ZHU YINTAI» («THE BUTTERFLY LOVERS») VIOLIN CONCERTO BY HE ZHANGHAO AND CHEN GANG IN AUTHOR'S TRANSCRIPTIONS: IMAGERY-SEMANTIC AND GENRE TRANSFORMATIONS
Qi Li
74-79
PDF (Українська)
AESTHETIC FOUNDATIONS OF VOCAL PERFORMANCE IN CHINA AT THE END OF THE 20TH – BEGINNING OF THE 21ST CENTURY
Yongchun Li
80-84
PDF (Українська)
MYSTICAL LULLABY (BASED ON DIPTYCH B MINOR NO. 6 FROM THE CYCLE "24 PRELUDES AND FUGUES" BY VSEVOLOD ZADERATSKY)
Natalia Makarova
85-92
PDF (Українська)
FORMATION AND EVOLUTION OF RUDIMENTAL DRUMMING IN THE UNITED STATES
Petkun Leonid
93-99
PDF (Українська)
THE ATOMIC PRINCIPLE OF CREATIVE EDUCATION OF A VARIETY MUSICIAN
Tetiana Samaya
100-104
PDF (Українська)
GENRE-STYLISH TRANSFORMATIONS IN THE VOCAL LYRICS OF COMPOSERS OF THE DNIEPER REGION OF THE 1920S–1930S
Oleksandr Stakhevich, Olena Enska
105-113
PDF (Українська)
THE COMPOSITIONAL LEGACY OF MANUEL PONCE AND ITS SIGNIFICANCE FOR THE DEVELOPMENT OF THE GUITARIST’S PERFORMANCE MASTERY
Oleksii Taran
114-121
PDF (Українська)
THE EUROPEAN ORIGINS OF THE FLUTE IN CHINA: AN ORGANOLOGICAL EXCURSION
Olena Ustymenko-Kosorich
122-125
PDF (Українська)
REPERTOIRE TRADITIONS AND CREATIVE EXPERIMENTS OF THE OPERA STUDIO AT THE A. V. NEZHDANOVA ODESA NATIONAL ACADEMY OF MUSIC
Oleksandr Filippov
126-130
PDF (Українська)
POP ART AESTHETICS IN LADY GAGA'S CREATIVE WORK
Nataliia Folomieieva
131-136
PDF (Українська)
INTERPRETATION OF THE UKRAINIAN SONG IN CONTEMPORARY POP VOCAL PERFORMANCE AS A FACTOR IN THE FORMATION OF THE NATIONAL STYLE
Hanna Tsap, Myroslava Kovalchuk, Nataliya Yefymenko
137-140
PDF (Українська)
THE QUESTION OF PERIODIZATION OF THE DEVELOPMENT OF UKRAINIAN CHAMBER AND INSTRUMENTAL MUSIC IN THE 20TH CENTURY IN THE MODERN MUSICIAN DISCUSSION
Jingge Cui
141-145
PDF (Українська)
ORATORIO-ACTION “THOUGHTS ABOUT UKRAINE” BY V. MARTYNYUK – AS A FORM OF PRESERVATION OF COLLECTIVE MEMORY IN AESTHETIC AND DRAMATIC MANIFESTATIONS OF ART
Yuliia Chekhlata
146-150
PDF (Українська)
TIMBRE SEMANTICS: THEORETICAL APPROACHES AND ANALYTICAL ASPECTS
Khrystyna Yurko
151-154
PDF (Українська)
LOUIS KARCHIN'S ROLE IN THE DEVELOPMENT OF MODERN ACADEMIC MUSIC
Veronika Zinchenko-Hotsuliak, Hanna Yuferova
155-158
PDF (Українська)
CHAMBER AND INSTRUMENTAL WORKS BY OLENA ILNYTSKA: GENRE AND STYLE ASPECTS
Olena Yakymchuk
159-165
PDF (Українська)
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