No. 1 (2025): Sloboda Art Studies

Статті

• CONCERTO FOR VIOLIN AND PIANO BY V. KOSENKO IN THE CONTEXT OF STUDYING THE ARTIST'S MANUSCRIPT HERITAGE

  Inesa Berenbein

  7-11

  • PDF (Українська)

• VISUALIZATION OF IMAGES OF IMPRESSIONIST COMPOSERS AS A MAIN FACTOR IN THE STABILITY OF THE INTERPRETATIVE VERSION OF THE BUTTON ACCORDIONIST-PERFORMER

  Andrii Biednyi

  12-16

  • PDF (Українська)

• CONCEPTUAL MUSIC IN THE WORKS OF UKRAINIAN COMPOSER ROMAN GRYGORIV

  Yanina Bielai

  17-20

  • PDF (Українська)

• CURRENT STATE AND TENDENCIES OF DEVELOPMENT OF PROFESSIONAL (PIANO) EDUCATION IN ART INSTITUTIONS OF UKRAINE

  Iryna Boiko

  21-25

  • PDF (Українська)

• CHRISTIAN MUSIC IN THE CONTEXT OF THE HOLY SCRIPTURES AND RELIGIOUS TRADITION

  Tetiana Bulakh

  26-29

  • PDF (Українська)

• CONCERT “ANOMAL DANCES” FOR QUARTER-TONE ACCORDION WITH THE ORCHESTRA BY J. TIENSUU: SEMANTIC AND GENRE-STYLISH ASPECTS OF INTERPRETATION

  Oleksandr Vasylenko

  30-36

  • PDF (Українська)

• DISTANCE EDUCATION OF DOMRA PLAYERS IN MODERN CONDITIONS: CHALLENGES, EXPERIENCE, RECOMMENDATIONS

  Yana Danyliuk

  37-42

  • PDF (Українська)

• CHILDREN’S OPERA: A MEANS OF AESTHETIC EDUCATION OR A RELIC?

  Oksana Ignatovska, Yevhen Karpenko

  43-49

  • PDF (Українська)

• PIANO CYCLES OF MINIATURES IN CREATIVITY UKRAINIAN COMPOSERS OF THE XX–XXI CENTURIES

  Mariya Kalashnyk

  50-54

  • PDF (Українська)

• REPRODUCTION OF ANCIENT INSTRUMENTATION IN MODERN MUSICAL PERFORMANCE PRACTICE

  Iryna Kodenko

  55-61

  • PDF (Українська)

• UKRAINIAN VOCAL VARIETY ART OF THE EARLY XXI CENTURY: IN SEARCH OF INNOVATIVE CONCEPTUAL HORIZONS

  Liudmyla Krasovska, Lyudmila Kudrich, Svitlana Manko, Oksana Mykhailiuchenko, Valentin Ivanov

  62-66

  • PDF (Українська)

• GENRE FEATURES OF THE CHORAL MYKOLA LASTOVETSKY’S CREATIVITY

  Lyubomyra Lastovetska

  67-71

  • PDF (Українська)

• UNIVERSALISM OF THE CREATIVE PERSONALITY: MODES OF MUSICOLOGICAL DISCOURSE

  Pingtig Li

  72-76

  • PDF (Українська)

• GENRE AND STYLE DIMENSIONS OF THE POETICS OF “OUT OF GRAVITATION” BY YULIA GOMELSKA

  Qing Liu

  77-81

  • PDF (Українська)

• GENRE-STYLISTIC FEATURES OF THE INTERPRETATION OF “BALLAD” ОР. 22 BY BORIS LYATOSHYNSKY

  Uliana Molchko

  82-86

  • PDF (Українська)

• CONCERT AND PERFORMANCE WORKS OF UKRAINIAN ACCORDIONISTS OF THE LATE 20TH – EARLY 21ST CENTURIES

  Dmytro Motuzok

  87-91

  • PDF (Українська)

• MUSICAL AND CHOREOGRAPHIC PERFORMANCE OF THE SECOND HALF OF THE XX CENTURY: PATHS OF TRANSFORMATION

  Zakhar Omelianenko

  92-97

  • PDF (Українська)

• DANCE AS AN ARTISTIC CODE OF UKRAINIAN OPERA: EMOTIONAL, DRAMATURGICAL AND NATIONAL DIMENSIONS

  Kateryna Omelianenko

  98-102

  • PDF (Українська)

• SOUND OF TIME: MOZART’S PIANO TRIO B-FLAT MAJOR

  Oleksandr Rudenko

  103-107

  • PDF (Українська)

• CHAMBER AND VOCAL CREATIVITY OF PAVL SENYTSIA IN THE CHALLENGES OF UKRAINIAN MUSICAL ART OF THE FIRST THIRD OF THE 20TH CENTURY

  Oleksandr Stakhevich

  108-113

  • PDF (Українська)

• MA SICONG’S SUITE “SONG OF THE MOUNTAIN FORESTS” IN THE COMPOSER’S SYMPHONIC CREATIVITY

  Shangming Xu

  114-119

  • PDF (Українська)

• INNOVATIVE APPROACHES TO TEACHING SOLFEGGIO FOR JAZZ AND POP MUSICIANS

  Veronika Tormakhova

  120-125

  • PDF (Українська)

• CONCEPTUAL BASIS OF DEFINING THE MAINSTREAM OF CONTEMPORARY POPULAR MUSIC IN MUSICIAN RESEARCH

  Nataliia Folomieieva

  126-131

  • PDF (Українська)

• STYLISTIC PECULIARITIES OF PIANO WORKS CECILIA CHAMINADE

  Oksana Tsuranova, Olena Haleeva, Vitalii Smorodskyi

  132-135

  • PDF (Українська)

• THE SPECIFICS OF PROCESSING VOCAL WORKS OF THE RENAISSANCE ERA BY MODERN PERFORMERS

  Iryna Tsiuriak

  136-139

  • PDF (Українська)

• HUANG ZI’S CONTRIBUTION TO THE FORMATION OF THE CHINESE ROMANCE

  Jielin Zhang

  140-143

  • PDF (Українська)

• THE COMPOSITIONAL WORK OF FRIEDRICH KALKBRENNER ON THE EXAMPLE OF THE BRILLIANT FANTASY ON “REMINISCENCES OF THE OPERA ‘GUIDO ET GINEVRA’ BY F. HALÉVY”, OP. 142

  Yelizaveta Shumakova

  144-148

  • PDF (Українська)

• THE SYSTEM OF MUSICAL EDUCATION OF THE SECOND HALF OF THE 18TH CENTURY AND THE WORK OF UKRAINIAN COMPOSERS OF THE CLASSICISM ERA

  Olha Shumilina

  149-152

  • PDF (Українська)

• VOCAL WORKS OF FRANZ SCHUBERT AND THEIR NEW LIFE IN TRANSCRIPTIONS BY FERENCE LIZST

  Yuryi Shcherbakov

  153-157

  • PDF (Українська)

• “SLAVONIC DANCES” BY ANTONIN DVORAK IN INSTRUMENTAL ARRANGEMENTS

  Olga Shcherbakova

  158-162

  • PDF (Українська)

• VOCAL WORKS BY EDUARD BRYLIN ON ZOIA RUZHYN’S POEMS: LYRICAL MODUS

  Olena Yakymchuk

  163-168

  • PDF